A Fall From Grace
A pair of sculptures using geometric language and repetitive processes to explore how ideas that can be a force for good can also become tyrannical. The piece contrasts porcalain with concrete. In A Fall from Grace I, there is a progression from individually hand-formed paper porcelain cones at the centre of the work, to uniform cast shapes as the concrete pulls down the tendrils of the sculpture. A Fall from Grace II sees one large concrete cone balanced above a single porcelain piece.
Anna Berry
Milton Keynes, England
A Fall From Grace
A pair of sculptures using geometric language and repetitive processes to explore how ideas that can be a force for good can also become tyrannical. The piece contrasts porcalain with concrete. In A Fall from Grace I, there is a progression from individually hand-formed paper porcelain cones at the centre of the work, to uniform cast shapes as the concrete pulls down the tendrils of the sculpture. A Fall from Grace II sees one large concrete cone balanced above a single porcelain piece.
Anna Berry
Milton Keynes, England
